David Ellsworth Demonstration:  Mar 15, 2009 - details

Photos:  Leroy, and TG.

 

First demo subject - bowl:

 David Ellsworth       Taking an odd shaped piece of wood, to demonstrate how this can be done, he roughed out a tenon for chuck mount and the rough shape of the outer surface, using a LeRoy Photo4 prong drive center and the tailstock in place.   He used primarily what he called a slice pull cut:  handle in back down 45 degrees from level, firm grip on the tool with the front hand, almost bevel rubbing, cutting occurring near the tip, not back on the side of the barrel.   The back hand is holding firm near the end of the handle, and firmly against the hip.   He also did a horizontal circle cut to cut the wings that were left at the top of the bowl.   This circle can be done with rocking of the hips, and removes the wings with the least drama or danger. 

                Clearly the design of this piece was evolving as he saw what the uncovered wood looked like.   There is a patience that he displays in approaching the cutting and design of the wood, that is thoughtful, but also less work and ultimately safer.   LeRoy Photo

 

Setting the line of the bottom, he measured the size of the tenon, and the intersection of the side line with the bottom.   This gave him a measure of how deep the cuts needed to be in the inside.   Remember that he was rough cutting a piece, not for drying, but for tLeRoy Photohe finished shape.  

 

LeRoy PhotoRough cut of the rim, in this case was done with the design choice of a rounded utility bowl edge, with a little thicker feel at the top of the bowl, to make it easier to handle.   These radius rims on green bowls do distort better than the sharp edge rim.  These cuts were done with shear cuts.   In shear cuts, he positions the toolrest as close to the surface as possible (Robust toolrest allows for close support) and the cutting surface at roughly 45degrees, handle against hip, both hands nearer the wood, and the closer hand applying pressure down on the tool riding on the toolrest, rather than against the wood.   This results in fine shavings and a clean surface. 

 

LeRoy PhotoChuck tightening:   should be done several times on both sides of the chuck during the turning process, for the piece will change its shape or compress a bit.   He was also tightening the tailstock while center turning multiple times during the initial rough cuts.

LeRoy PhotoUsing his single bowl gouge, see below for details, he is able to rough cut using the bevel and the right hand side of the tip.   Finish cuts will be using the left hand side of the tip, about a 1/8 in from the end of the tip, and with the bevel near vertical.   This is literally a shear cut, and provides a clean surface and good control.   In cutting the inside, he rides the edge to the bottom, and then senses the edge as he retreats with just the bevel. 

LeRoy PhotoSanding when that is performed, is suggested to be done with a soft pad and Abranet abrasives.  He starts with a 220 grit sanding to see how the surface appears, before going up in grit size or to a finer grit.   LeRoy PhotoRunning at 150-200 rpm, the initial sanding is performed, followed by sanding with 320 grit while hand turning the lathe.  He then would progress to 400 grit.

To finish the back or underside of the bowl, he uLeRoy Photosed a jam chuck approach.   Novel idea was to use 100 rpm to feather the previous cut side surface to the bottom cut surface, since they are inherently cut on slightly different centers.   He uses the low speed cut in the shear scrape mode to match the two surfaces sufficiently to make it appear the same.  

 

Natural Edge:

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LeRoy PhotoRough the outside as above, using a 4pt drive center for safety, if needed.   Then cut the tenon for mounting in the  chuck .    Mount in the chuck and begin the outside cuts, using a slice cut from top to bottom.    He used a left-handed style at this point, so your eyes can see where to cut.    Use a shear cut going downhill towards the bottom for the finish cuts.   Complete the outside.

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Inside:  rough out as with the bowl above, looking at the outside of the bowl while cutting, to have a good sense of the shape needed on the inside.   Test while stopped: look away and feel with your fingers.  

 

 

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Using the jam chuck, complete the bottom as before.  LeRoy Photo

 

One tip regarding CA glue:  fumes can raise the heart rate and have other bad side effects.

Hollow Form:LeRoy Photo

With a log set between centers, with bark, turn until a cylinder, with the grain running LeRoy Photoparallel between centers.    Rough the side near tailstock to a round shape.   See diagram.    This allows a entire log to be used for this form, not just one half of the log.

Switch 180 degrees and cut the other end to make a near sphere.  LeRoy PhotoNow becomes the point at which you determine the top and bottom of the final piece.   It can be a result of seeing wood features you want to display on top or perhaps avoid by putting them on the bottom.   Mark the LeRoy Photorough center of the sphere by holding a pencil on the toolrest and hand turning the piece. 

Now reposition the piece using the pencil marks, with the eventLeRoy Photo bottom, where the tenon will be cut, near the tailstock.   Now cut off the spigot left behind, using a slice cut and a circular motion.  This is the more safe approach.   Mark the pith on both sides.   Cut off any wood  marks or aberrations you do not want in the final piece.   Now cut the tenon.

DrawingMounting the piece in the chuck, proceed to begin the hollow cutting.   He drawingused his Ellsworth hollowing tools, available on his website and from Craft Supplies.   See the list of suggested items.   LeRoy PhotoHe progressed through the cuts as shown, using the straight cutter as much as he could, as per the table.

He then used a bowl as a jam chuck and proceeded to finish the bottom as above.

Sharpening:

drawingHe uses 120 grit wheels (MSC wheels which are not that expensive, but are hard) for the fine cuts, and an 80grit wheel for reshaping a tool. 

His bowl gouge has a 60-70degree leading edge angle with a LeRoy Photoparabolic profile, and a broader thickness on the wings than most gouges I have seen.   His logic is simple, having more support for the edge with the wider wings, as shown at left, provides a more stable cutting edge to the wood.  This perhaps is not as sharp as the narrow wing edge, but it is better behaving and less apt to dig or tear.   These parabolic profile gouges are now widely available.   His custom jig provides the correct angles on the sharpened tool, which can also be achieved with other tool jigs, but not in the standard setup.  

Hollow tools are set at 80 degrees, have a 10% cobalt tip, such as from Enco.  The straight tool is 1/4in while the bent cutting tip is 3/16in.   Tips are glued in with CA, and removed with a propane torch.

 

We thank David for a most informative demonstration.